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MEET THE USA: Arts

Introduction

- RELATED -
National Endowment for the Arts Jazz Masters gather for a group photo, reminiscent of Art Kane's 1958 'A Great Day in Harlem', in New York Friday Jan. 23, 2004. Included in the photo are George Russell, Dave Brubeck, Nat Hentoff, Louie Bellson, David Baker, Percy Heath, Billy Taylor, Chico Hamilton, Jim Hall, James Moody, Randy Weston, Ron Carter, Jackie McLean, Gerald Wilson, Jimmy Heath, Hank Jones, Horace Silver, Anita O'Day, Benny Golson, Frank Foster, Cecil Taylor, Roy Haynes, Clark Terry, and NEA Chairman Dana Gioia, standing at right. (© AP Photo/Richard Drew)
National Endowment for the Arts Jazz Masters gather for a group photo, reminiscent of Art Kane's 1958 "A Great Day in Harlem," in New York, Jan. 23, 2004. (© AP Photo/Richard Drew)

There is no central ministry of culture that sets national policy for the arts in the United States government, thus reflecting the conviction that there are important areas of national life where government should have little or no role. The two national endowments -- the National Endowment for the Arts (NEA) and the National Endowment for the Humanities (NEH) -- provide grant support for individual artists and scholars and for arts and humanities institutions. While the NEA budget -- $115 million for fiscal year 2003 -- is quite modest when compared to other nations' public arts funding, private donations have always provided the major support for American culture. Private spending for the arts in the United States for the year 2002 has been calculated at roughly $12.1 billion. During its nearly four decades of existence, the NEA, whose goals are to encourage excellence and to bring art to all Americans, has used its funds as a spark for private beneficence.

The 20th century has been one in which artists in the United States have broken free from Old World antecedents, taking the various cultural disciplines in new directions with impressive, innovative results. Music, film, theater, dance, architecture and other artistic expressions have been enhanced and transformed. A rejuvenation in music, new directions in modern dance, drama drawn from the U.S. heartland, independent filmmaking across the landscape, the globalization of the visual arts -- all of these are part of the contemporary scene in the United States. What is at the root of all the ongoing creative ferment? Dana Gioia, the poet who currently is chairman of the National Endowment for the Arts, identifies one likely source: "The reason that America has had this diversely distinguished history of art, this unprecedented breadth of achievement -- ranging from movies to abstract expressionism to jazz to modern literature -- is because America was and is a society that recognizes the individual freedom of its citizens."

Art on the Edge: Contemporary American Artists
Publication by the U.S. Department of State, Bureau of International Information Programs



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